The local transit authority would like you to know that you cannot use these stairs to enter the El station.

I do less street photography than I would like to, and a lot of it, including the street photography photos I’ve published here, has been of those moments where I see a composition and have to capture it before it goes away. This is something of an eternal photo. Maybe the CTA will clean those stairs sometime, or freshen up those signs. Maybe, just maybe, they did in the last six years! Even if they did: The light, the grime, the rust, the signs will outlive us all.

February 15, 2019. Samsung Galaxy S8+ cell phone, focal length 4.25mm (35mm equivalent: 26mm), f/1.7, 1/120, ISO 64.

I’ve published a handful of dragonfly photos here, including one a couple of months ago of a photo in which I caught it hovering to protect its territory. Here’s another one, and I love this photo because that dragonfly is tack-sharp from a distance, including those wings that are just frozen in the thinnest split second, against the pond, which is far enough in the distance that it picks up the blur of depth of field. It’s a personal and a technical challenge to accomplish that, and I am really happy that I took a photo that came out this well.

August 21, 2016. Nikon D7100 (DX sensor), Nikon 70–300mm lens at 300mm (35mm equivalent: 450mm), f/5.6, 1/2,000, ISO 800.

A painted turtle starts to crawl out of the pond with its foreleg extended, looking a whole lot like an arm reaching for something off-screen. It’s just a cute shot.

May 22, 2016. Nikon D7100 (DX sensor), Nikon 70–300mm lens at 300mm (35mm equivalent: 450mm), f/11, 1/180, ISO 800.

Here’s a bit of a rarity: milkweed pods not covered with milkweed bugs. I love how milkweed pods look, whether they’re fresh and bursting in Summer or brown and exhausted in Winter. Here are the former, seen through the macro closeup lens, giving me many shades of green and yellow in the July afternoon light.

July 25, 2010. Nikon D90 (DX sensor), 105mm Nikon macro lens (35mm equivalent: 155mm), f/18, 1/125, ISO 640.

It is a perfect Summer day as I wander around the nature preserve. There’s a small hill at the park’s east end, and it’s covered with nice small yellow flowers — my best guess is wingstem, yellow asters. I’m still using my little point-and-shoot, but it does give me some control, so I dial in a little depth of focus and find an angle that gives me this composition. This was one that I printed to hang on a wall, and whenever, in the depths of the gray slog of Midwestern Winter, a friend mentions wishing for the return of sun and color, sometimes I’ll send them along to remind them that yes, the wait will be worth it.

July 13, 2008. Canon PowerShot SD850 IS, focal length 6.63 (35mm equivalent: 40mm), f/8, 1/160, ISO 80.

I’m at a jazz club with a couple of friends and the band is just great. We’re sitting up front, and I’m next to the baby grand piano and near the bass sax player, who has tucked the huge case for his sax under the piano. There is a nice bright red light underneath the piano, and it’s lighting two sides of the piano leg and the textured, sparkly sax case, and this composition jumps out at me. I’m really happy with this photo, as it brings you in and encourages you to linger.

September 15, 2025. OnePlus 12 cell phone, 13.3mm focal length (35mm equivalent: 140mm), f/2.6, 1/24, ISO 2,000.

If you’ve been reading this site fairly regularly, you may remember how much fun I had one day when two bullfrogs decided to brawl over territory. Here’s a counterpoint to that competitive pair, as these guys are perfectly content to sit together, chilling out as they stare off into space, as frogs (and, to be honest, just about every form of animal life, including us) like to do when they get the chance. That’s a pretty nice way to spend a Summer afternoon.

August 4, 2019. Nikon D7100 (DX sensor), Tamron 100–400mm lens at 340mm (35mm equivalent: 510mm), f/16, 1/30, ISO 800.

Today we return to the good old Meatpacking District back in its great earlier incarnation, because I loved not so much the fire escape but the counterweight that would let the last flight of the fire escape swing down so people could safely reach the ground. I converted the photo to black and white because it’s a great batch of textures that come out nicely in this format: the grated door, the glass blocks, the bricks, the shadows, and especially the counterweight.

There isn’t a whole lot of information about Hanke Iron & Wire Works on the web now, and it felt like there was actually more when I took this photo back in ’09. It seemed to be most active in Chicago in the first couple of decades of the 20th century, but I remember seeing mention of a relocation toward the end of the company’s existence. A cider house a few blocks from my apartment mentions that there was a similar counterweight on its building in 2015, when it took over that building. There isn’t much more info than that now.

September 5, 2009. Nikon D90 (DX sensor), Nikon DX 18–105mm lens at 52mm (35mm equivalent: 78mm), f/13, 1/1,000, ISO 1,250.

Strong vertical and diagonal lines from the balconies of a condo tower and the roofline of U.S. Bank Stadium in Minneapolis bring this composition together. This was another of those moments where the photo jumped out at me as I walked along the street; I took a few shots framing the two buildings slightly differently each time, and this was the keeper.

October 18, 2025. OnePlus 12 cell phone, 13.3mm focal length (35mm equivalent: 140mm), f/2.6, 1/510, ISO 50.

On October 3, I posted a photo of the entirety of Midway Airport and mentioned that it was pretty hard to get a photo of the entirety of O’Hare Airport. It isn’t impossible, though, and here we are. We were approaching from the west with a strong tailwind, and pilots fly into the wind on the approach so they can slow the plane down faster. That meant we had to fly past O’Hare and keep going for about three miles over Lake Michigan, then turn around and come back. That was a real pleasant surprise. I admit that as we got to this point, I was a bit startled to realize our path put us in a position where my phone’s telephoto camera could capture it all. It was a bit humid and we were at a higher altitude than I was when I took the Midway photo, so the colors here are adjusted some to get rid of the haze, but otherwise, it’s a pretty good shot of the entirety of O’Hare.

October 20, 2025. OnePlus 12 cell phone, 13.3mm focal length (35mm equivalent: 70mm), f/2.6, 1/850, ISO 50.

And on this summer day, lunchtime for a swallowtail butterfly came when it found a good, full buttonbush plant. I’ve published buttonbush photos here before, not just because I like their flowers that look like cake pops but because pollinators love them even more than I do.

I love everything about this — the swallowtail balancing on the styles of the flowers, the color and texture of its wings, the sharpness of the butterfly and the flower and the depth of field behind, and the shadows of the styles on that leaf. The white flower with the yellow bits of pollen atop the styles, the black butterfly with its pops of colors, and that leaf all add up to a really nice keeper.

July 7, 2018. Nikon D7100 (DX sensor), Nikon 70–300mm lens at 300mm (35mm equivalent: 450mm), f/6.7, 1/1,500, ISO 400.

This one is also a mystery to me. I really think that left eye’s weird condition is not a reflection or a refraction, because I’ve been photographing dragonflies for a couple of decades and this is the first time I’ve ever seen anything like this. When I posted it on various social media sites and asked, I didn’t get any particular information beyond “Yeah, that’s weird.” Maybe someday, someone will see this and let me know what the hell is going on.

July 29, 2023. Cropped from a larger image. Nikon D850 (FX sensor), Tamron 100–400mm at 400mm, f/11, 1/250, ISO 400.

And there’s the answer to yesterday’s puzzler. I think the “100” is more likely to be maybe a marker for other purposes, because they could easily have written “150.” And, as much activity as was still happening along the river back then, the idea of 150 tugboat operators is believable, but that says “50.”

So now we know: 50 Chicago Tugmen Vote Union. Or, if we want to quote it precisely, ☆Union☆.

You know that joke or cartoon that comes up every so often, “Advance Planning,” with the first letters taking up lots of space and the last ones missing or squeezed into a tiny space? This leans in that direction a bit, because it really didn’t make much sense to start on the left side of the ladder. There are plenty of those panels to the right. If the “T” in “Tugmen” was where the “G” is now, it would fit just fine.

July 15, 2012. Nikon D90 (DX sensor), 70–300mm Nikon zoom lens at 125mm (35mm equivalent: 187mm), f/16, 1/90, ISO 200.

We’re back on the tour of the industrial Calumet River, returning slowly to the harbor as we pass many more sites to record. With every glance, another one was approaching, so I grabbed this photo and moved on to the next. It was popular enough on social media, as Chicago’s home to many unions and union members. But as I thought about it while reviewing the pictures, it felt a little unusual. It leaves out women union members, and I have known women union members for many decades. The two characters peeking out from the yellow ladder didn’t make any sense: 0? G-Men? I couldn’t find any other photos of the scene, so I shrugged and let it be. A couple of years later, Forgotten Chicago repeated the tour, so I bought a ticket and was ready to get the entire scene as we passed — we’ll see that tomorrow and solve this.

August 29, 2010. Nikon D90 (DX sensor), 70–300mm Nikon zoom lens at 125mm (35mm equivalent: 187mm), f/8, 1/1,250, ISO 640.

My friend and I were walking around the Mississippi River in downtown Minneapolis one Summer day; she saw this pattern of fences and shadows and remarked on it. She didn’t even say in particular that I should take a picture of it, but I thought I should, so I did, and it was a keeper, one of the best of the trip, which was a very good trip.

August 31, 2025. Nikon Coolpix P1000 (1/2.3-inch sensor), focal length 36mm (35mm equivalent: 200mm), f/8, 1/2,500, ISO 800.